Thursday, December 13, 2007

IFFK – Day 7

Portrait of an Artist

I saw the Korean film Chihawaseon in New Theatre. The film is directed Im Kwon Taek. Seven of his over hundred films have been included in this retrospective. I had heard about his film Surrogate Mother, which was shown in India previously in some other name. I could not watch Surrogate Mother. But this film, Chihawaseon, gives glimpses of Im Kwon Taek’s brilliant oeuvre. This is a gripping portrayal of the eccentric life of an unconventional painter. He was born in a slum. But his immense potential with brush was spotted during his childhood and he received sufficient training to grow into a masterful painter. In the film, we can see his turbulent life, where he could not exorcise his inner ghosts. He was consumed by the same fire within him that lighted up his paintings. The film is slow in most parts, but is studded with beautiful visuals, which are cleverly used to symbolize the state of mind of the hero.

All in all, today was a good day with three satisfying films, though not as spectacular as Sunday when I watched three fantastic movies (Closely Watched Train, Talk to Her and Getting Home). I think I may not watch any more film in the festival as tomorrow will be a busy day in my office. That means I have to wait for some more years for some other festival to watch the movies like Time directed by Kim Ki Duc and the Romanian film which won high critical acclaim, Four Months, Three Weeks and Two Days.

The race for the best film award is heading to an exciting climax, with nobody being sure of which film will move the heart of the jury members more. Initially Teeth of Love, a Chinese film directed by Zhuang Yuxin, and Getting Home, another Chinese film directed by Zhang Yang, were the favorites. Now Sleepwalking Land, a film from Portugal/Mozambique, directed by Teressa Puenzo, and Bliss, a Turkish film, directed Abdullah Oguz, have emerged as dark horses. But one delegate quipped that he won’t be surprised if one of the Malayalam entries to the competition section, Naalu Pennungal (Four Women) and Paradesi, will win in the end, given the standing and the canvassing skill of the directors. I sincerely hope my friend will be proved wrong, as I have great respect for Adoor.

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